Saturday, August 29, 2015

Why I Love Movies

Many times in my life I have been asked a terrifying question: "What is your favorite movie?" For years I have caved under the pressure of summarizing a broad love into a single 2 hour film, so I usually skirt around the question. That it until last week when I read a blog by Jon Negroni. For those of you who don't know, Jon Negroni is the genius behind the expansive-now-made-into-a-book Pixar Theory that all the Pixar movies are connected in the same universe. He is a great thinker with great opinions on movies. On this blog when asked his favorite movie, Jon flipped the question to articulate five movies that show why he loves movies. 

This got me thinking so now I've done the same thing with this post. It is good to keep in mind that this post is NOT a ranking of my favorite movies but rather an articulation of why I love movies. Some of my favorite movies didn't make the list, but most did. I really love this exercise because it reframes the standard query from a "what" question to a "why" question, which yields a deeper, more thoughtful response. So here are five movies and five shows that show why I love movies. The ranking articulates the importance I place on what they bring to the table, not necessarily how I would rank them in terms of personal favorites.


Five Movies to Show Why I love Movies

5. Oceans 11 (2001)- This movie has always had a soft spot in my heart but it makes this list because it blends genres better than any other movie I can think of. Oceans 11 is part comedy/part action/part heist movie, yet the blending of this genres just works perfectly. Brad Pitt and George Clooney epitomize how two really good lead actors can enhance the performance of all the other cast members. 

4. When Harry Met Sally- I will go on record that When Harry Met Sally is one of my favorite comedy movies (romantic or otherwise), but that alone does not place it on this elite list. It makes the list because in my estimation, WHMS captures the perfect formula of what a comedy should be: a few actors in the prime of their careers with a competent supporting cast, a pretty good script and a REALLY good story. What sets this movie apart from others is the questions it asks. It presents the very real, difficult question "can men and women really be 'just friends'" and by asking this, strips down the finery of the movie to it's most base components. Good movies ask really good questions, and this one still has me baffled. 
 
3. Up- In my opinion, Up is the greatest achievement in animation. It was nominated for Best Picture for a reason (in a really solid year, I should add). Up makes this list because it clearly shows animated "kids" movies transcending the typical conventions. It's sad, intense, genuinely frightening and conveys deep meanings probably lost on its youngest viewers. No one worth their salt can classify Up as "just a kids movie" and for that reason it raises animation to new heights without sacrificing characters or story. 

2. Psycho- Psycho makes this list because it shows how cinematography, lighting, music and direction make a movie into a masterpiece. The story of Psycho isn't all that creative or compelling, but the cinematography is, I believe, second to none. Hitchcock's choice of shooting it in black and white even though color was common in 1960 captures why he was the genius that he was. Color would kill this movie and he knew it. Everything about this movie defies genre conventions, as well as those pioneered by Hitchcock himself. It's truly a masterpiece like no other.

1. Inception- Inception is my go-to answer for favorite movie for the simple reason that I've seen it some dozen times. Inception tops this list because it shows the number one reason I love movies: they are puzzles. It doesn't matter what the genre, all of the movies on this list (and my other favs that I didn't mention) are puzzles in some way. Because when movies have a puzzle element to them, they are just way more fun to watch and rewatch so you can catch another little touch of the director or track another fan theory. Inception brings together many of my favorite actors, my favorite director and a complicated story with so many levels and layers that you absolutely have to watch it many times. Ultimately that is what I love about movies: top-notch professionals creating a story yarn that I have no choice but to unravel and comprehend. 


I hope this has inspired you to think about you favorite movies differently and taught you a bit more about me. Next time I'll do the same thing with TV shows, which is an even harder task!

Sunday, August 23, 2015

The Moment in the LEGO Movie that Changed Everything

If you haven't seen the LEGO Movie, stop reading this post and see it as quickly as humanly possible. It is one of the finest pieces of animation to grace human eyes and can genuinely rank among such titles as Shrek, Emperor's New Groove and many Pixar movies. So go watch it, get that little Lonely Island song stuck in your head and come back to read the blog.

I could easily rant about WHY the LEGO Movie was the ridiculous gem that it was (hint: it's the same formula as all good comedy movies), but that's not the focus of today's post. Today's post concerns a moment that happens 2:23 into the movie. At this point we've seen the opening scene of the movie. As a refresher, this scene depicts Vitruvius in some cave. He briefly interacts with some guards, then Lord Business enters the scene. He instantly steals the scene (like Will Ferrell often does) and eliminates any shreds of doubt that this movie won't be amazing. He and Vitruvius have a short scuffle that leaves Vitruvius blinded and the mysterious weapon, the Kragle, in the hands of Lord Business. Vitruvius then utters a prophecy about a special "lass or fellow" with "face of yellow" that will come along and "make the piece of resistance found" (Even writing that sentence, I cringe at the grammar). He concludes his prophecy saying, "All this is true because it rhymes". Lord Business, not being one for poorly formed unmetered poetry, kicks Vitruvius down into some lava or something and leaves.

Okay. That's the opening scene that takes the first 2:21 of the movie, but then there is a single second shot that changes everything. The scene changes and a blank yellow background reads "8 1/2 Years Later".

On the surface this moment may seem trivial, and it's certainly easy to miss, but I think it's implications for the rest of the LEGO Movie are profound. Lengthy passages of time in movies are interesting, but they're especially interesting when kids are involved. Toward the end of the movie, we come to find out that a boy named Finn is the son of the dad played by Will Ferrell. The movie does a brilliant job layering the story lines outside the LEGO world with those within, so it's clear that Dad/Lord Business is the villain in both, intent on freezing the LEGO world with Krazy Glue. Finn/Emmet is the hero set on stopping the Krazy Glue so LEGOs can still be used by master builders to blend sets and create. The crux of the movie hinges on the struggle between structured business and childlike, rampant creativity.

I promise, all that explanation was really important because the kid in the movie looks like he could be about 8 1/2 years old. I can't find the actual ago of Jadon Sand, the kid who played Finn, but the internet seems to be in total agreement that the kid is about 8 1/2. This means the opening scene of the movie happened before Finn was born or else shortly after he was born. One article on LEGO Movie easter eggs picks up on this point, but doesn't stretch it out far enough. It says "...Though it's never explicitly stated, when Finn was born, The Man Upstairs locked his toys away, separated the worlds, and made sure that his son would never play with them" (Alex Zalben, MTV*).

I think it's safe to say that Finn is 8 1/2 and thereby cannot be the one playing with the toys (i.e making the opening scene) at the beginning of the movie. This leaves the question "who is making it happen?" The obvious and only suggested choice is Dad. But this still leaves many questions, chief among them "How does this scene fit with the rest of the movie presented by Finn?"

Allow me to suggest the following explanation. Dad, knowing his wife is about to have their first child, goes downstairs to the basement and locks up his LEGO toys. He has a very large collection that fills the majority of the basement. LEGOs obviously aren't safe for a zero-year-old kid and neither is the basement. He is doing a GOOD think by locking up the toys. When he is down there to lock up the basement, he stops for a moment and plays with a couple of his old toys. He picks up Lord Business and Vitruvius and plays out a short scene. In this scene Lord Business, by no means the villain in his mind, finds some Krazy Glue and takes it out of the scene. This makes perfect sense on both a LEGO level and a human level. In the LEGO world the action could be read as either sinister or helpful, since the Kragle is an obvious weapon. In the human world, it is simply a dad (or soon-to-be-dad) picking up some Krazy Glue and taking it upstairs where it can be of more use.

Now I think this is a really positive and really probable explanation for the beginning of the film, but now we have to see how it fits with the rest of the movie. I can think of two pretty solid possibilities for how this Dad becomes the "villainous Lord Business" that keeps the toys from his 8 1/2 year old kid. Unfortunately both of these half-formed theories are much sadder than the idea I just entertained. You've been warned.

-Option 1. After having Finn, Dad and Mom's lives got really busy. In the process of raising a toddler, Dad grew hardened toward his childhood toys and grew more preoccupied with work (i.e "Business"). Along the way (by my guess 5-6 years after having Finn) he and his wife had a baby girl (this fact is explicitly stated at the end of the movie when Duplo blocks show up). Now preoccupied with a combination of the new baby/young toddler, Dad forgets about his toys in the basement and forgets that Finn is old enough to play with them. Finn gets down there anyway and plays with them leading to the heartwarming ending of the movie.

Though pretty possible, this explanation leaves several things unexplained, namely why Lord Business/Dad has tons of Krazy Glue down there to start hardening the LEGOs together. The next explanation is sadder still, but it solves this problem.

-Option 2. Mom and Dad have Finn and life is really great. Finn grows up for a few years and the family is really happy. When he's 4-5ish, they decide to have another kid. Finn isn't a toddler anymore and the parents likely have stable jobs. They have a baby girl, but then, tragedy strikes. Mom dies, either in childbirth or shortly thereafter, leaving Dad to raise Finn and his sister on his own.  He weathers the first couple years without her reasonably well, but then falls on hard times. In order to keep the family afloat, he has to sell his expansive collection of LEGOs to a museum. He systematically goes downstairs gluing LEGOs. This could have been going on a long time. Remember, we only see basement one time. It's possible he had even more LEGOs at one point. Wild Style does talk of worlds we don't see. The ending is a reconciliation with Finn, but also Dad moving on from the loss of his wife.

Now I understand this is a stretch, but in my mind, it is a possible or even probable explanation that allows the opening minutes to be acted out by Dad and the rest of the movie by Finn. Otherwise we have a Dad that has a RIDICULOUS NUMBER OF LEGOs he never uses, but locks them away from his son for no reason for years. This explanation at least explains why he wont let Finn play with the LEGOs; why he is hesitant to play with them himself; why he is gluing them together even though he once cared enough to own THAT many LEGOs; why the opening of sequence of Lord Business taking the Kragle works with the rest of the movie wherein he is using the Kragle.

As a quick point it's impossible for the Dad's collection to have been locked up, untouched, for this simple reason. In the middle of the movie, while in Cloud Cuckoo Land, we see a Milhouse figure. The Simpsons LEGO set was released shortly before the LEGO movie, so it's impossible for that figure to be in the basement unless the collection has been changed recently. It is possible that Finn carried it down there sometime, but I think it far more likely that Dad continues adding to the collection, even in small ways, because he REALLY loves LEGOs.

To summarize, Dad acts out the opening two minutes of the LEGO Movie. Around that same time he and his wife have Finn, causing him to lock the basement and keep it from Finn. 5-6 years later they have a daughter. Shortly after that Mom dies leaving Dad alone to raise two kids. This forces him to sell some of his prized LEGO worlds for money in order to provide for his family. The ending is both about reconciliation and moving on from the loss of his wife.

This theory needs a little work, but I think it's pretty solid. No matter what moviegoers have to deal with the discrepancy between the Dad acting out the first two minutes and Finn acting the rest of the movie. If you can think of another way to allow the Dad to be relatively heroic at the beginning and a villain later on, let me know. It is important to remember, he has an absurd amount of LEGOs that are clearly a huge part of his life. It has to take something drastic to cause him to glue them all down. This theory does change the meaning of the movie slightly, but if anything, it makes it all the more rich and satisfying.  


Thursday, August 6, 2015

My Definitive Summer Movie Guide Review

Back in late May with summer movie season just barely upon us, I wrote a really long and extensive preview of all the greatness this summer had to offer. If you didn't read that post, it can be found here: http://rantsrankingsandreviews.blogspot.com/2015/05/my-definitive-summer-movietv-guide.html. Now with summer drawing to a close, I think it's time to take stock and see where I was right and wrong, as well as shed a little light on things I overlooked the first time around. So now, in the same order I talked about them the first time, my summer preview recap.

Tomorrowland. I haven't seen this movie yet. Critics and audiences alike were pretty spilt about it. I do plan to see it in the near future, but that might not happen because this fall is positively LOADED with TV and movies that I'll need to watch. I predicted B+. General opinion has this at C- or there abouts, so I'll say I missed with this one (but no definitive claim will be made until I see it).


Hannibal Season 3. I fell behind on this show (For some reason I really fail at watching weekly dramas that aren't on AMC, FX or HBO). I did see the first 4 episodes and they were top-notch, so I will certainly watch the rest of this season. Maybe I'll binge it this weekend. I also want to draw attention to the fact that on May 20th I wrote, "I'm still fearful of this show going the way of other Bryan Fuller projects (Pushing Daises) and getting canceled too soon..." and on June 22nd it was (despite really REALLY good reviews). My thoughts on this injustice are a rant for another day. I just want it to be know that I totally called that. I predicted A grade in May and hold to that grade. A


Sense 8. I also haven't seen this one yet, but the reviews are strong. My A- prediction seems to be on track, but I'll need to get back to this one when I see it.


Spy. In May I thought this would be a B+, but it turned out to be a strong A. Significantly funnier than the Heat, all the pieces come together for a real comedy treat. Even more surprising, the reviews have been 95%, which is unreal for comedy. Maybe Rotten Tomatoes has seen the error of their ways, but I doubt it. Anyway, this is an extremely funny movie that all fans of Bridesmaids should appreciate a LOT. A (very near A+)


Inside out. I thought it would be an A+ but it turned out to be an A++ and as good as just about any other movie I've ever seen. I already sang the praises of Inside Out at length, so go read that post for a further description. If you STILL haven't seen it, get on it ASAP! A++


True Detective Season 2. I don't what is the deal with critics because this season is not anywhere near as well received as Season 1. I think because it wasn't as "star studded" they lost their minds while reviewing it. Seriously, I'm almost certain that I like this season MORE than season 1, though that it at least part due to the fact that I'm really studying the story this year. I will sing the praises of this show more soon I imagine. Critics don't know everything and True Detective is still exceptional TV at the level that only Netflix and HBO (and occasionally AMC/FX) can deliver. A+


Drunk History and Nathan For You. In an exceedingly rare intelligent programming move by Comedy Central (seriously, they don't know what they're doing most of the time), they moved the premieres from the dead time of summer to prime slots in the fall. Also on the REALLY long shot that Drunk History wins the Emmy for which they're nominated, ratings will skyrocket. I have high hope for season 3.


Spoils Before Dying. I've only seen the first third of the miniseries at this point, so I can't speak to the whole of the show, but I liked what I saw so far. I think my predicted A is right on point.


Minions: Haven't seen it, but the reviews have been middling at best. It looks like my B+ will probably be more of a B-.


Ant-Man. I was one of the few people out there really stoked for this movie, and it totally delivered. The writing was as good as any Marvel movie, the story was fresh and Paul Rudd was amazing. I predicted an A and it certainly was. 


Trainwreck. I haven't gotten around to this one yet either, but the reviews have been great. I plan to see this one really soon. It seems like my predicted B- will probably be closer to a B+ or an A.


Wet Hot American Summer: First Day of Camp. This is a beautiful show in every way. It delivers on all the same levels as the brilliant movie while adding to the experience in new ways too. It reminded me very much of how Arrested Development handled their reboot for Season 4. Watch the movie then watch this show. It's brilliant in every way. A+


Rick and Morty. They aren't far into their second season yet, but I can already tell that it will be on par or better than season one. The pilot was ridiculously amazing. My A+ line of thought is right on the money with this one.


BoJack Horseman. Netflix kinda sprung Season 2 on me with very little warning, but it's awesome. Better than the first in many ways and a good show to tide me over until South Park, The Simpsons, Bob's Burgers and more return in the fall. A



Now a brief series of bullet points about the things I didn't have on my radar the first time around:


-Mad Max: Fury Road. I hadn't seen this when I wrote the post in May. It's one of, if not THE, greatest action movies I've ever seen. A+


-Vacation. Don't believe the poor critic reviews. The new Vacation reboot is as good as the original (at least from my 21st century standpoint) and is probably the funniest movie since 22 Jump Street. A+


-7 Days in Hell. Words can't descibe the greatness of this TV movie. It's Andy Samberg being as fantastic as he was in Hot Rod mixed with awesome interjections from Bill Hader and Fred Armisen. You don't need more than that. A


-The Gift. I might be reaching here, but this new movie has me really excited. Best reviews on a thriller since Gone Girl. I predict A.


That's all for now. I should probably stop saying what I'll do next because I haven't followed it yet. But you should expect thoughts on the Emmys, a few more Best Pic nominees and you will certainly get thoughts on Fargo soon.